And now I'm bleedin' annoyed with Blogger!!
But if any of you techno-boffins out there can assist, I'd be ever so grateful...
Hi there! Like other blogs, this is my chance to wax lyrical (some might say talk utter cr*p) about a) what's happening in my life b) all of my pet obsessions in particular music, tv, movies, books and other generally connected things, quite often of the retro, old and "cheesy" variety. Hence the title of my blog. Feel free to leave a comment if the mood takes you. There's nothing like a good chinwag about one's favourite topics and besides I love to meet new people! Cheers, Simon
Labels: Boomtown Rats, Monday
Labels: Alan Dale, Bouncer, Captain Jack, Charlene, Gwen, Helen Daniels, Ianto, Jason Donovan, Jim Robinson, Martha Jones, Mrs Mangel, Neighbours, Owen, Reset, Science Fiction, Scott, Torchwood, Tosh
Labels: Blog, Blogging, Dr Who, Science Fiction, Timewarden
I’d already seen “Brokeback” on the big screen but couldn’t resist snapping it up for a bargain price on DVD recently. A major incentive of course being the very sad and untimely death of Heath Ledger – this film boasts one of his best performances and I wanted to get it as a kind of tribute to him. Not to mention the fact that it’s a very interesting movie from a gay perspective.
In case you’ve been, um, up a mountain or working as a sheep herder on your lonesome, “Brokeback Mountain” is the story of two men, ranch hand Ennis del Mar and rodeo cowboy Jack Twist, who meet and fall in love on the fictional Brokeback Mountain in Wyoming, Western USA in 1963. The film documents their complex and sexual relationship over the next two twenty years, one complication being that, due to social and sexual pressures, they are both forced to marry women, yet still choose to carry on their clandestine affair. Another difficulty is geography, as Ennis and Jack both live far apart and liaisons are thus rare (on one occasion they don’t see each other for four years!) But the final and most arduous obstacle of all is homophobia, which (presumably) leads to the death of Jack at the end. This being 1963 and the American West, attitudes towards homosexuality were far from accepting and same-sex relations were generally regarded as an abomination.
Both Heath Ledger and Jake Gyllenhaal do a fine job of portraying the tortured love affair of Ennis and Jack, and their intense frustration at the seemingly insurmountable barriers that prevent them from publicly expressing their love. What I like about the film is the “normalness” of the characters which makes for a refreshing change – there are no over-the-top, camp melodramatics here and not much “lovey-doveyness” between Ennis and Jack (although the latter is probably the more emotional of the two). They are portrayed as being two ordinary guys who just happen to be in love without a proper outlet for expressing their feelings and desires. Ledger’s Ennis is particularly true to life and you can really believe that men like him do exist – a person brim-full of anger, rage and frustration (he actually hits Jack a few times) yet with a sensitivity that is buried so deep it is rarely permitted to surface (e.g. at the movie's end, on his own, he clutches the dead Jack’s denim shirt to him and sobs – a very moving moment indeed). Which makes you realise that love between men can spring up in all kinds of places, in many different forms, and all those stories set on the gay scene in urban metropolises like
The film also got me to thinking further– very obvious I know, but – how very different the experience of actually being gay can be across the world, not to mention how things have moved on considerably in only a few decades. After watching “Brokeback”, Gustavo and I couldn’t help remarking at how extremely fortunate we are to be living as we do now and not in
As a 38 year old gay man, when I look back on my life, I’ve count myself as pretty lucky. DAMN lucky in actual fact. From age 7 onwards I grew up in
Anyway. The point I’m trying to arrive as is that I’ve had it pretty good and easy compared to some. And I should also add that nowhere can be viewed as entirely safe or accepting, unfortunately. I’m now living with Gustavo in an area of
As for where I’m living now, whilst I don’t exactly need to exit my front door wearing a riot shield or protective head gear, I also doubt that I'd walk down our local high street being openly demonstrative with my husband, for fear of something bad happening. Yet if I was walking down
In this age of civil partnerships and growing acceptance for lesbians and gays, this is not the way things should be. But regrettably it still DOES seem to be the way in certain circles.
As a result I’m very interested in knowing what kind of experiences my gay bloggers (of which I know there are several) have had during their respective lifetimes.
And at the risk of sounding discriminatory I’m more than happy to hear the views of my “straight” (ahem) bloggers too!
A strong topic for debate, yes?
Labels: Brokeback Mountain, Chumbawamba, civil partnerships, cowboys, Ennis del Mar, gay, homophobia, homosexuality, Jack Twist, lesbian, London, love, New York, relationships, San Francisco, Soho, USA
Labels: celebrate, flat, gossip, housewarming, party
And I’ve been slow in posting my thoughts on this one! The eagerly awaited sequel to “Life on Mars” hit our screens last Thursday and was for the most part well-received by most.
With a premise not a million miles away from its predecessor, modern day detective Alex Drake (that’s female as opposed to male Alex) is shot by a criminal and finds herself transported back to 1981. She’s also no longer dressed in her policewoman civvies but in the attire of a high class hooker, with a voluminous perm to match. And then she encounters Gene Hunt, the copper she’d heard all about when reading up on the case of Sam Tyler, the cop who mysteriously disappeared from
I’ll get my gripes out of the way first. Whilst still enjoyable, Ashes to Ashes does rather fall down in the originality department in that it re-uses wholesale the very same ideas from “Life on Mars” – cop wakes up in another time period with no obvious way of getting home and consequently has a number of issues to deal with: How will they adjust to living in a totally different time? Are they still in 2008 and merely hallucinating? Or have they really been transported back in time? Are they in a coma and dreaming the whole thing? These were the questions confronting Sam Tyler in both series of “Life” and now Alex is being subjected to exactly the same brand of weirdness. I hope we get a decent sense of resolution this time round - “Life on Mars" left things very open-ended indeed and whilst room for interpretation can sometimes be a good thing, it also felt frustrating. I’d like to see the writers going for a different tack or something really clever.
The plotline also seemed rather formulaic and was a typical storyline about tracking down a gangster, not exactly earth-shattering stuff. I admit that I switched off a few times. Also I don't know if they could condense down each episode to 45-50 minutes as opposed to 60 - it felt a little on the long side somehow with some padding they could have afforded to lose.
However, ample compensation came in the characterisation and there was a lot of fun to be had here. Keeley Hawes was excellent as Alex and she and Philip Glenister as Gene sparked off each other entertainingly. And this time the relationship is different to that of Sam and Gene – most obviously because Gene now has to work alongside a female DCI who is his “equal” – which is going to make for some interesting dynamics not to mention interesting viewing (this was nicely counter pointed by the inclusion of an ineffectual lady officer with a pudding bowl haircut, who Alex has to rescue). Too many male characters does create an atmosphere of machismo and rather too much thuggishness at times – I confess I’m more of a Charlie’s Angels man than Sweeney or Professionals – so the inclusion of a leading female character is undoubtedly welcome.
Keeley H looked great and was pretty foxy - even with her 80s styling she managed to look contemporary at the same time. I hope she doesn't end up getting it on with Gene though, which does seems to be the route that these male/female partner cop shows predictably go down – look at Dempsey and Makepeace or David and Maddie in Moonlighting – coppers who started off loathing each other but a couple of seasons later were snogging each others’ faces off. The old thin line between love and hate, and all that. As fun as Gene’s character is, he's not much of a horndog (in my book anyhow...) Personally I’d prefer to see Keeley get it on with a nice Tony Hadley type. We’ll see.
The other major point of appeal for me was of course the 1980s setting and styling. It will be interesting to see how authentically the production team can reproduce the 80s in later episodes. They did it fairly well in the opening story such as the scene where Alex finds herself on the barge in 1981, surrounded by lots of yahs in suits singing drunkenly to Ultravox’s “
With the usual Cheeser reservations then, a good opening instalment. To tell the truth I don’t know how many more episodes of “Ashes to Ashes” I’ll be able to catch. Episode two is on tonight is but as we all know it’s also Valentine’s Day and I don’t think the hubbie would be very impressed if I plonked myself down in front of the box and ignored him…divorce might be imminent otherwise! So I am of course relying on the rest of you to keep me informed. Viva la 80s!
Labels: 1980s, Alex Drake, Ashes to Ashes, David Bowie, Gene Hunt, Keeley Hawes, Life on Mars, Philip Glenister
Last night's instalment, "Adam" saw Toshiko getting it on with a ginger minger. Oh dear I’m being very anti-redhead aren’t I? I got told off recently for my comments about overweight people so I’m now trying to curb such unkind tendencies. Now the gingers are coming in for flak instead. I’ll soon have people of auburn persuasions up in arms, writing to me... But the guy playing Adam was still rather odd weird-looking and certainly not what I’d call hot. And he had a weird mouth. He really must have brainwashed Tosh something chronic to get her to fancy him. Still Ms Sato hasn’t exactly been having a bad time of it this season, first of all getting it together with young northern soldier Tommy and now this fella. Shame they all b*gger off and leave her…
"Adam" was all about an alien being called, strangely enough, Adam who had managed to infiltrate the hub by taking on human form and implanting false memories in the minds of all the team, so leading them to believe that he was a bona fide member of the Torchwood posse. Nasty!
Another Catherine Tregenna-penned script, this was mildly better than last week's. I say mildly as it still wasn’t a masterpiece by any stretch of the imagination. The concept was interesting but resolution all too convenient (let's swallow lots of amnesia pills!) plus it wasn’t really explained was how Adam had arrived in the hub to begin with, nor where he’d originated from (it transpired later that he’d only been there 48 hours but such were his powers of suggestion, the team thought that they’d known him for years).
I didn’t find the character of Adam all that convincing, despite the actor’s attempts to do “evil looks” which were more amusing than frightening (akin to the “Neighbours” school of drama…) There was one quite good scene where Adam tortured Ianto, making him believe that he’d killed three women, which was fairly nasty. However I thought that Adam gave up far too easily and didn’t even put up a decent fight when Jack imprisoned him in the hub dungeons. Also, wasn’t he a bit silly carrying out all of his evil deeds in front of the Torchwood CCTV? He was bound to get sprung eventually…
Adam’s memory implants had caused some major changes as well as disruption amongst the team and the results were quite entertaining. Toshiko was now more confident and outgoing as well as in love with Adam. Owen had gone the other way and turned into a repressed, shy geek with glasses and a side parting. He also held a candle for Tosh and announced his love for her in a touching speech - sadly his feelings weren’t reciprocated. It was actually rather nice to see him as a modest, mild type for a change though and he came across as quite endearing. A pity he didn’t stay that way…And poor old Jack suffered the most torture of all. Under Adam’s influence he’s taken back to the place of his childhood and made to remember the death of his father, and separation from his brother, Gray…Aha! So that’s who “Gray” is! Remember Captain John’s remark at the end of the first episode, that he’d “seen Gray?” It’s all slowly falling into place…And the mysterious puzzle box at the end that Jack unlocks might have something to do with it…
Oh and Ms Gaptooth Cooper seemed to be suffering from temporary amnesia as she forgot who fiancé Rhys was and wondered what the hell he was doing in her home and they had to “start over” as it were.
Resolution came in the form of amnesia tablets, handed out by Jack to all of the team, which – oh happy day! – were able to erase everyone’s memories over the past 48 hours. Mmmm how very fortunate. Not to mention the fact that Adam had only been in the hub for 48 hours. Any longer and things might have been tricky. I’m getting a bit tired of the amnesia pill plot device though – far too lazy and convenient, not to mention the fact that it’s now been used several times. Can’t the writers come up with a better solution than this?
But hey! Guess which medical student-cum TARDIS traveller is due to arrive at the hub next week for a three episode stint? Yep, it’s Ms Martha Jones. And now apparently she’s working for UNIT. The girl has gone up in the world. Now as I said many a time in my reviews of Dr Who Season Three, I was quite fond of Martha even though I felt that Freema Agyeman wasn’t the most gifted of actresses. The character was also saddled with the “I love the Dr” schtich which became increasingly annoying. So it will be interesting (God I use that word an awful lot don’t I?) to see how she shapes up in "T-Wood". Away from the Doc and all that, she could turn out to be quite different. And interesting. Yes.
However one does kind of hope that Ms Jones doesn’t get pulled into the soap opera theatrics that have bedevilled “Torchwood” and end up sh&gging one, or more of the characters in the hub. Otherwise she might have to change her name to Martha Bones. Whoops, sorry. Or perhaps she’ll manage to rise above it all and preserve her decency for the duration of her three episode contract.
(Screencap courtesy of time-and-space.co.uk)
Labels: Adam, Captain Jack, ginger, Gwen, Ianto, memories, Owen, Rhys, Torchwood, Toshiko
Labels: flowers, hearts, love, romance, Valentine's Day
I have fallen behind in my Torchwood reviews. What a shameful state of affairs. My other bloggers have been way ahead of the game, posting up their post-episode reviews in next to no time. Perhaps it's got something to do with the fact that I'm once again losing enthusiasm for the show, despite my efforts to remain a loyal viewer. I am trying, honest...
Anyway here come my thoughts on the last couple of eps, ladies and gents...
To the Last Man
Geddit? I confess to finding the execution of this (potentially interesting) idea a little confusing. Coupled with this was a sub-plot involving people from the Cardiff of the past seeping through the rift into the Cardiff of the present and then disappearing back to where they’d come from, all of which was going on in a disused hospital – cue “freaky” scenes with Gwen getting hassled by a psycho patients and nurses (no different to your average NHS hang-out then). But this was all kind of peripheral, and in the final analysis, didn’t add up to much (except of course to make the point that if the rift didn’t get sealed, the ghosts wouldn’t stop appearing and the whole world would fall into chaos…) The story itself felt very flat and actually seemed to drag. All the characters really had to do was sit back and wait for the moment when Tommy got sent back to the past.
However whilst weak on action and plot, the episode was undoubtedly stronger in the characterisation department.
One of the positive aspects of “To the Last Man” was that it gave Toshiko a bigger slice of the action and the relationship with her and the soldier – a northern lad called Tommy - was nicely played. Naoki Mori is a decent actress and although I was moaning about her character being little more than a cypher in Season One, slowly but surely, a personality is now beginning to emerge. Tosh is… A techno-boffin (well we knew that from the start I guess). Intelligent in an understated, rather than a “Look at me, aren’t I clever!” way. Somewhat shy and introverted. Gentle and caring. Innocent in the ways of the flesh. In fact some of these things probably explain exactly why why Tosh didn’t make a major impact in the first series – the fact that her character is a bit of a shrinking violet often meant that she sunk into the background. But that doesn’t mean she can’t get her own story sometimes as well.
Last season’s “Greeks Bearing Gifts” was a “Tosh” episode too and in that it transpired that she had a liking for, erm, ladies. This seems to have been forgotten and on this occasion Ms Sato decided to fixate on a fella. What IS it with the Torchwood scriptwriters? Are they trying to prove that the T-Wood team are a bunch of sexually fluid, snog and sh*g anything that moves swingers?! Nowt wrong with bisexuality, but it’s starting to get ridiculous.
One potentially interesting aspect of the episode was it's "Past Torchwood" characters, Gerald and Harriet (daaaarling!), who we saw all too briefly at the beginning and end of the episode as they arrived to rescue Tommy. I would have loved to have known more about them and wouldn't it have been fun if they'd run into the current members of the hub? As some of you will recall, Torchwood was established back in the 19th Century by Pauline Collins, sorry I mean Queen
Oh, AND! One more point of note. Jack and Ianto shared a passionate kiss that was totally superfluous to the plot! Where was that coming from? And more to the point, where is it headed? Is their previously discussed dinner date really going to occur? (With a bit of après meal too we hope?)
At the end of the day though, some decent character moments didn’t make for a strong enough story and at the end I was still left feeling dissatisfied. God I’m hard to please.
Meat
With author Catherine Tregenna at the helm of this episode, I was seriously hoping that it would be the equivalent of a well-cooked, delicately braised, delicious-tasting piece of steak. Instead it turned out to be more akin to a gristly, greasy, manky old piece of KFC chicken.
Okay perhaps that’s slightly harsh. But in comparison with Season One’s standout episodes, “Out of Time” and “Captain Jack Harkness”, this story was a major let down and certainly unworthy of Ms Tregenna’s talents, lacking the poetry and sensitive writing/characterisation of her previous efforts. Was she forced to write this episode?
The plot, such as it was, concerned a bunch of criminals who were holding a giant alien monster – closely resembling an Earth whale but not looking desperately convincing – captive, and slicing up large chunks of it for human beings to feed off. Cue half-hearted attempt to espouse the evils of feeding off other creatures for our own appetites and having no respect for alien lifeforms in the process. Fair enough but these ideas only really came to the fore in the last scenes of the story, with Captain Jack getting all embarrassingly touchy-feely with the creature and bemoaning its plight (rather hard to do with a CGI alien that isn’t actually there – I could comment on the fact that the phallic shape of the creature probably appealed to Jack’s nature, but let’s not go there…)
The bits when Owen attempted to inject the creature with a giant syringe thing looked silly – definitely not one of the special effects’ teams better efforts. Seeing old whaley flapping about reminded me too much of the poor old whale who got splattered in The Hitch Hiker’s Guide to the Galaxy.
The rest of the episode just felt so … pedestrian. All that was really required for the team to do was track down the crooks that had imprisoned the alien and have a showdown. The aforementioned villains were nasty, boring and clichéd, just your standard stock baddies with no discernable characters.
I can’t actually think of much else to say about proceedings as my attention kept wandering and I actually got up and left the room on a couple of occasions.
Oh, yes! There was also a sub-plot involving Gwen and fatty fiancé Rhys, in which the gap-toothed one’s fella found out that – gasp! – she actually worked for Torchwood! As virtually the entire population of
I think Catherine Tregenna is better suited to writing more “old history” type stories – both of her episodes from last season revolved around characters from the early 20th Century – either brought forward to the present, or encountered when members of the Torchwood team travelled back in time. The drama and conflict that occurred as a result made for some genuinely thought-provoking episodes. “Meat” was an entirely different affair and just didn’t have the same depth or potential. Put bluntly, it was uninspiring and dull.
And to add, in terms of ongoing relationships between the T-Wood team, there’s been some pretty poor continuity to date. Character “involvements” are alternatively picked up or totally forgotten, all according to the whim of whoever is writing this week’s episode. There was no reference to Jack and Ianto’s snog from the week before and Toshiko seemed to have already forgotten about her beloved Tommy, preferring now to focus her attentions on Owen, of all people. Fickle cow. The extent to which the team are all fixating on one another is becoming laughable - tying in with my earlier point about the sliding sexual preferences of nearly all the major characters. And what IS going on with Jack and Gwen?! We keep getting lots of lingering Jack-Gwen looks as if to suggest there’s some kind of suppressed desire between them both, but nothing whatsoever has been said. Pur-lease! Mmm, I wonder if this might throw a spanner in the works for Gwen’s impending nuptials? And Ianto is bound to throw a hissy fit when he finds out that a gap-toothed Welsh wench is a rival for the horny Jack’s affections…Cue cat-fight in the church. Ooooh I hope so. Personally I think Gwen would be better off marrying a Weavel.
Mmmm. After an initially promising first couple of episodes this season, things seem to be on the slide again on the Torchwood quality meter. As Steve put it so accurately over on his blog: "... the episode kept me entertained ... (but) it didn't really excite me or impinge itself upon me for any decent length of time. It's like they're just not trying hard enough. They're on auto-pilot. It's all a bit lazy." Too right. It's nice to crash on the sofa at the end of a long day and stick Torchwood on the TV but it's all so ... undemanding. Decent sci-fi should be so much more challenging and dynamic than this.
Anyway, only a couple of months now until Season Four of Dr Who hits our screens. Catherine Tate aside, I'm hoping it will be a of a much higher calibre! Time will tell...
(Screencaps courtesy of time-and-space.co.uk)
Labels: Captain Jack, Gwen, Ianto, Meat, Owen, Rhys, To The Last Man, Torchwood, Toshiko, whales